Leo Gestel (11 November 1881, Woerden- 26 November 1941, Hilversum) was a Dutch painter. His father Willem Gestel was also an artist. Leo Gestel experimented with cubism, expressionism, futurism and postimpressionism. Along with Piet Mondrian he was among the leading artists of Dutch modernism.  Related Paintings of Leo Gestel :. | Landscape after Teniers | Christ on the Road to Calvary | Nude Self portrait | kapplopningshast | Portrait of a boy with a long beard |
Related Artists:
Pedro Nunez de Villavicencio
Spanish Baroque Era Painter, 1640-ca.1695
Francis Bacon
English , 1561-1626 British statesman and philosopher, father of modern scientific method. He studied at Cambridge and at Gray's Inn. A supporter of the Earl of Essex, Bacon turned against him when Essex was tried for treason. Under James I he rose steadily, becoming successively solicitor general (1607), attorney general (1613), and lord chancellor (1618). Convicted of accepting bribes from those being tried in his court, he was briefly imprisoned and permanently lost his public offices; he died deeply in debt. He attempted to put natural science on a firm empirical foundation in the Novum Organum (1620), which sets forth his scientific method. His elaborate classification of the sciences inspired the 18th-century French Encyclopedists, and his empiricism inspired 19th-century British philosophers of science. His other works include The Advancement of Learning (1605),
Joseph Anton Koch
1768-1839 Austrian Joseph Anton Koch Galleries was an Austrian painter of the German Romantic movement. The Tyrolese painter left academic training in the Karlsschule Stuttgart, a strict military academy, and traveled through France and Switzerland. He arrived in Rome in 1795. Koch was close to the painter Asmus Jacob Carstens and carried on Carstens' 'heroic' art, at first in a literal manner. After 1800 Koch developed as a landscape painter. In Rome he espoused a new type of 'heroic' landscape, revising the classical compositions of Poussin and Lorrain with a more rugged, mountainous scenery. He left Rome in 1812 and stayed in Vienna until 1815, in protest of the French invasion. During this period he incorporated more non-classical themes in his work. In Vienna he was influenced by Friedrich Schlegel and enthusiasts of old German art. In response, his style became harsher, and this new approach had a wide influence on German landscape painters who visited Rome.